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In Praise of Homogeneity

By keeping out alien populations,  they have maintained complete control over their society.

by Jared Taylor, 2007

I have just returned from several weeks in Japan, and am again struck by the forceful example that country offers of the advantages of homogeneity. As the years go by, Japan’s steady record of successes stands in ever-greater contrast to America’s failures, and to its inability to think seriously about the kind of country it is becoming. Japan is not without problems, of course, and some are disconcerting by our standards. But the Japanese have a much better chance than we do of surviving into the next century as a coherent, prosperous nation with a culture and civilization it can unmistakably call its own.

Japan is one of the most homogeneous countries on earth. Ethnic Japanese make up 98.5 percent of the population, followed by Koreans and Chinese at 0.5 and 0.4 percent. The largest non-Japanese populations are, therefore, from closely related races and are visually indistinguishable from the majority. Wherever you go in Japan, you are likely to see Japanese and only Japanese.

Japan is at the same time a sound refutation of the view that homogeneity means dull uniformity. (This is the implication, of course, of the common assertion that immigrants have livened up the United States, saving it, presumably, from the suffocating sameness of whiteness.) Japan has as much variety—cultural, esthetic, culinary—as anyone could want. Whether it is clothing styles, amateur orchestras, motorcycle clubs, art exhibits, restaurants or museums, visitors are struck by the rich variety of Japanese life. There are endless ways to be Japanese. Thus, traditional Japanese instruments like the koto and shamisen have never been more popular, but Japan also produces internationally-known classical musicians. In addition to its own sports like sumo or judo, Japan has mastered baseball to the point that it sends Japanese stars to the major leagues.

American orthodoxy about immigration and diversity suggests that a country could not have opera without a colony of Italians, or golf and Scotch whiskey without Scots. Japan proves that a country can open itself to what it considers the best foreign influences while shutting out foreign people. Japan therefore has first-rate opera without Italians, jazz without blacks, heavy metal without Brits and some of the best “Western” science and technology without Westerners. What Japan does not have is “honor killings,” voodoo, MS-13, bilingualism or racial tension, and it will never have these things if it keeps to its current no-immigration policy.



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